A famous sci-fi author visited my college writing class and revealed something I never forgot: He got an idea for a book series by reading the back of a can of household cleanser.
Since then I've looked for inspirations in small places rather than large. Here are a few things that have played a part in inspiring the "Wilfair" series.
-- That moment in the 2005 "Pride & Prejudice" when Bingley furtively touches the back of Jane's dress. I'd look up the exact time but I think it comes about ten minutes into the film, at a party. It lasts for all of a second. It fills my head with glitter.
-- The middle part of Pete Yorn's "Life on a Chain." The chorus goes "I was waiting over here for life to begin. I was looking for the new thing and you were the sunshine in my frontline. I was alone and you were just around the corner from me."
-- The smell of tar and methane around the corner of Wilshire and Fairfax in Los Angeles.
-- "Something" by the Beatles. George Harrison, my favorite Beatle, makes me think of Gomery. Gomery looks quite different, in my mind, but when I see photos of George Harrison from the late '60s I sometimes think of a fictional motel employee. Maybe it is in how the musician stands or his love of corduroy. George Harrison's hands, too, playing guitar. Please. :)
-- The way an orange hangs heavily on a branch.
-- This kiss from "The General." I'm a huge silent film fan and the moment Buster Keaton plants one on his ladyfriend, while they're trying to stop a runaway train, made me think a lot about runaway trains, couples, and how sometimes you need to stop, despite the imminent danger, and plant one, hard.
This kiss is pretty hot for 1926.
Well, film kiss, I should say. People in 1926 kissed just like we do today.
Small Inspirations
Labels: books, movies, music, themes, Wilfair series
Movies
I'm in crazy in love with all kinds of movies, much like WILFAIR's Monty Overbove. (Well, Monty might be slightly more movie-mad than I am.) Like, I'm that annoying person who will pick apart theme and subtext over drinks later. Any film, any time, I want to talk it into the ground.
Here's a favorite on-screen couple. Gene Kelly and Leslie Caron in "An American in Paris." Gene Kelly was a Man, capital M. And he could do a mean pirouette. Gotta love a guy who can dance with abandon.
Labels: Monty Overbove, movies
Hollywood Actresses
Wilfair was built in 1936. The Wilfair's manager dresses like stars of that era.
Snoods? Yes, please.

Via Rachel Profiling
Movie Museum on The Wilfair's Corner
The Wilfair Hotel is not real. But the Los Angeles intersection it calls home is very real.
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There is a beautiful old department store on one corner of Wilshire Boulevard and Fairfax Avenue. And, one day, in a few years, that building will be the home to the new Academy Museum of Motion Pictures.
More news came out about the museum today. Excitement! Tar pits and famous art and movie artifacts, side by side by side.
Labels: Fairfax Avenue, movies, Wilshire Boulevard
Hotel as TV Set
The legal show Petrocelli filmed at my house when I was just a wisp of a girl. My house at the time was a Braniff Hotel, so it wasn't all that intrusive, but it was darn glamorous. One of my first memories was actress Susan Howard getting dolled up in a make-up chair steps from our suite. She had curlers in her hair. I was in love.
I remain fascinated by hotels that allow filming. It's such a a major undertaking, what with the guests and all. (The guests usually love it.)
Motel Fairwil in Wilfair serves as the setting for a fake TV crime drama. The show in the book is not the show from my childhood, but the thrill of cables everywhere and big lights outside my bedroom is something I can't shake.
© Botsman | Dreamstime.com
Labels: hotel, movies, television


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